“Brian Reitzell’s score for HANNIBAL is the greatest TV scoring job since Angelo Badalamenti’s TWIN PEAKS.” – Matt Zoller Seitz, editor-in-chief at rogerebert.com, and the television critic for NYMag.com.
“I see him as one of those pitiful things, sometimes born in hospitals. They feed it, keep it warm, but they don’t put it on the machines. They let it die. But he doesn’t die. He looks normal … nobody can tell what he is.”